In the last two years, more than a dozen Virtual Reality tools have emerged, offering artists a wide range of mediums to express their creativity. These VR platforms have allowed every type of artist to showcase their talents in the Metaverse. This article delves into an exploration and comparison of VR, 2D painting software applications, comparing their capabilities against traditional oil and acrylic painting techniques. If you are an artist considering investing in a headset for your artistic endeavors or simply choosing an app, this article will provide a comprehensive side-by-side comparison of these programs with their real-life counterparts.
As momentum grows around global climate goals, a number of arts organizations are taking a larger look at their environmental impacts and incorporating sustainability into their values and strategies. To simplify this process, a variety of industry-specific tools are available to estimate CO2e emissions in arts and culture. Julie’s Bicycle, Gallery Climate Coalition, and ENERGY STAR Portfolio Manager emerged as widely used emissions calculators, because of their ease of use, established network to share and compare results, and in some cases, adoption by funders or regulatory bodies.
Getty Images has become the newest company to join the AI Image Generator bandwagon, creating their own that is trained using NVIDIA's Picasso. NVIDIA is a machine learning model that was created with the intention of using solely images that are property of Getty Images, which makes this Image Generator unique from the rest. This review compares the other competitors for generative AI with Getty’s new tool.
Platforms like Synthesia and D-ID allow users to create AI-driven videos. These new apps are reshaping video creation, giving users unprecedented tools to create content. This article highlights the unique features and comparisons between Synthesia and D-ID, providing insights into their functionality, user experience, output quality, and cost impact.
Traditionally, games’ non-player characters (NPCs) were essentially scripted entities characterized by predetermined actions and restricted interaction capabilities. Nevertheless, the evolution of artificial intelligence (AI) technology has injected vitality into these characters, rendering them significantly more dynamic and convincing in their behavior.
“When I’m walking around an art gallery, rooms full of paintings, after 15 or 20 minutes, I really am not thinking about the painting, I’m not connecting to them. Instead, I’m thinking about a cup of coffee that I desperately need to wake me up. I believe somebody put the painting on the wall because they think it is good enough to be there. But I don’t see it. I feel unhappy and guilt about my stupidity.” Said Tracy Chevalierin her TED speech about “Finding the story inside the painting” How many of you also suffer from gallery fatigue?
The art market is steadily adopting the online model, from auction houses to art fairs, from virtual exhibitions to limited edition online prints. Yet the success of this model remains circumspect, with questions abound; will online art fairs attract the clientele of Frieze Art Fair or Art Basel? Can aesthetic preferences be decoded by art genomes? Only in a few years will one be able to judge whether the online art world found success among pixels or became itself pixelated. For now, the move towards the digital has made room for interesting innovations in the area of art business, of which Art.sy, Paddle8, VIP Art Fair are some of the most well known.
