Streaming technology in the last decade has rebuilt the structure of film revenue models. Motion pictures now earn revenue through a network of internet-based over-the-top (OTT) content distributors, reaching worldwide audiences by partnering with multiple streaming platforms. More recently, the Covid-era decline in theatrical film distribution has led to a purely OTT distribution model, and a complete reliance on internet-based revenue. Independent production companies often skip theatrical releases entirely and go straight to market through OTT streaming platforms, which range from smaller niche entities to major corporate juggernauts. Internet-based technological advancement has allowed for this change to occur; new technologies induce new revenue. In the future, advancements in blockchain technology are expected to disrupt and further redesign the film distribution waterfall.

The Distribution Waterfall

In film and television, the market flow of revenue is referred to as the "distribution waterfall." As audiences engage with a new film, revenue is generated at each point of contact. Distributors collect this revenue, take a small cut for themselves, and pass along the money to the film's producers. Revenue works its way down the value chain, and the film's initial investors are recouped with interest. If a movie is profitable, then earnings are divvied up in the form of royalties, according to a previously agreed upon distribution plan. This plan is specified according to a film's CAMA (Collective Arts Management Agreement), a third-party account which collects film revenue and distributes royalty payments. Royalty payments are the final step in a distribution waterfall.

There are a few financial aspects to note about the independent film industry, the most serious being the necessary front-loading of a project's cash flow. As opposed to major studios, who can produce an upwards of 20 films a year and operate on multi-billion dollar budgets, the independent film industry is characterized by studios who produce one film a year, with mid-range budgets of $2-10 million. Regardless of budget size, feature films take a long time to create, as show below in Figure 1. Once pre-production begins, revenue streams may not materialize for years. That is why film producers need investors - it takes a sizable amount of working capital to build and operate a production machine.

An additional note – the majority of independent films do not turn a profit. Monetization is unpredictable, volatile, and varies across film genres. For a given independent film, the majority of film investors do not see a full return on a given investment, exemplified by Figure 2. Though box office revenues from the past 20 years are more easily accessible, the revenue generated from OTT streaming platforms is usually kept secret by distributors, sales agents, and producers. Given the scope of this report, today's OTT ROI averages are inaccessible, but will likely be similar to the averages seen in the past two decades or so.

Emerging Revenue Opportunities

Today, there is a new digital revenue source in popular media – the Non-Fungible Token, or NFT. Conceptually, NFTs are conventional; not all NFTs are digital. Modern society relies on non-fungible tokens to prove identity. A driver's license is a non-fungible, inimitable token which establishes proof of driver qualifications. A birth certificate is a non-fungible token which certifies the date and time of one's birth. These tokens cannot be copied or altered – they are one of a kind.

The main difference between conventional NFTs and digital NFTs is the ability to buy and sell digital NFTs. Commercial NFTs are digital assets - marketable investments that may accrue value over time. Digital NFTs are built on blockchain technology and sold using cryptocurrency, meaning every peer-to-peer transaction is recorded on a decentralized public ledger.

The decentralized nature of blockchain technology has led to serious global innovations in healthcare, immigration, shipping, and real estate. In the art and entertainment sector, NFTs are quickly proving their own worth, being sold as collectors items, artistic merchandise, and within the film industry, vehicles through which investors pay to access exclusive content and potentially earn royalty points. The aim of this article is to demonstrate how these emerging sources of revenue are impacting the modern distribution model in independent film.

Why Filmmakers Should Care

Short answer: More revenue for your team.

Below is a film distribution waterfall for a film production that has incorporated elements of Blockchain technology. Note the flexible nature of NFT revenue – these tokens can be sold at any stage in the production process. NFTs are often used in merchandising, which seems to be their most popular application to date. However, certain production companies are now incorporating royalty options into their NFTs to attract stakeholders. Essentially, any NFT enthusiast could become an accredited investor in a major motion picture.

Smart Contracts Explained

This brings up an important aspect of NFT functionality – smart contracts. During the NFT creation process, programs may be installed that run when predetermined conditions are met. These programs are phrased as a collection of "if/then" statements. For instance, one may create an NFT smart contract stating: "If this NFT is purchased before 2022, then the purchasing party will receive 3 royalty points from the investor pool of Spielberg's next movie." Once Spielberg's next movie hits the market, and the first hurdle (presented in step 5 of the infographic above) is passed, that NFT owner will automatically begin to earn 3% from the investor pool. This royalty payment is automatic because smart contracts are automatic – they are written into cryptocurrency and activated each time a new transaction occurs. Therefore royalties in the form of cryptocurrency would automatically flow into the NFT owner's virtual wallet.

Smart contracts may also be written as "when/then" statements. These can be used to program royalties within NFT's: "When this NFT is resold to another party, Spielberg will receive 10% of the revenue from the resell transaction." In this way, Spielberg could earn 10% royalties for every future purchase of his NFT, meaning hypothetically endless royalty payments. For merchandising, this means serious opportunities for long-term revenue generation. If someone creates and sells an NFT featuring a little-known actor, and then that actor becomes an international sensation, the NFT may then fetch serious dividends for the creator.

Smart Contracts Drive the Waterfall

As blockchain technology and cryptocurrency becomes more integrated into the film production model, the integration of smart contracts will completely automate steps 4-7 of the waterfall model in the above infographic. No longer will the distribution waterfall require third-party rights management and royalties collection agencies. New CAMAs will be crypto-based digital wallets, and revenue streams will be distributed automatically through smart contracts once transaction thresholds are met. Smart contracts may be designed based on stipulations written within a movie's PPM agreement, though it is important to note that PPMs are not contracts, but disclosure documents meant to contain investment information in plain language. Still, PPMs contain the fundamental guidelines needed to ensure the CAMA’s distribution waterfall flows correctly.

Through the adoption of decentralized investment platforms, the integration of PPM-based smart contracts, and the minting and selling of NFTs, the indie film distribution waterfall is evolving in ways that maximize potential revenue, improve latency, and eliminate obsolete intermediaries. Crypto film production is still in its infancy, but the booming NFT market is sure to integrate itself further into the indie production machine. New doors are opening up for content creators. Ambitious filmmakers should have a clear understanding of how revenue distribution waterfalls work before they tackle a blockchain-based film production.